The House of the Scorpion
Yesterday I devoured The House of the Scorpion by Nancy Farmer. It's a young adult novel that won the Newberry and the National Book Award (among many prizes) in 2003. [For some reason, I have been really attracted to children's and YA fiction lately.]
The House of the Scorpion is set in an unspecified but not so distant future, where Mexico no longer exists (it has become Aztlan), the US is no longer paradise to immigrants, and a country called Opium has sprung up between Aztlan and the US, born of a treaty between the US, Mexico and the powerful drug dealers of the borderlands. Opium, named for its obiquitous poppy fields, is a feudal state; the most powerful of the lords is El Patron, Matteo Alacran, a 140 year old man who owes his extreme longevity to medical experiments using clones created in labs and grown within cows. Cloning is a fact of life in this world -- and highly regulated. By law, clones are no better than cattle. At birth, each clone receives a tattoo of ownership and a chemical lobotomy, which ensures the clone will remain properly animal-like. A similar chemical process is used to turn all ilegal immigrants unfortunate enough to be caught by Opium Farm Patrols into eejits, zombie-like creatures that can only perform what limited functions they are especifically ordered to do. Most eejits are then used to tend the poppy fields.
The protagonist of the The House of the Scorpion is a clone, but not an eejit, because as El Patron's clone, Matt is spared the chemical obliteration of his brain. However, being anyone's clone is no picnic -- clones are both feared and loathed by ordinary humans. We follow Matt from conception and harvesting through to age 14, and get to experience his bewilderment at his situation, plus his eventual acceptance of his condition. While it's not a cheerful novel, and many parts are hard to stomach, the ending is optimistic (but never pat). Farmer does an excellent job of showing the effects of this society (and its choices about technology) without resorting to preachiness or heavy-handedness. This novel is well-worth the time of any reader interested in cloning, enslavement, and the treatment of the weakest people in society. I can't wait to see how Farmer's The House of the Scorpion compares to Ishaguro's Never Let Me Go, which covers some of the same territory.
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